Meeting Billy Apple, And This Year's Prominence Of Sport-Related Art In Dunedin

On a Friday night a few months ago, a group of us hit up the opening for Billy Apple's "The Bruce and Denny Show" at Brett McDowell Gallery. I should make it clear here, in case you don't know me, that I'm seriously not into sports. I'm almost anti-sport. But from my childhood, Formula 1 has demanded a different sort of respect from me….

And as for art by a world-renowned New Zealand pop artist, combined with the one sport I've found tolerable, let alone enjoyed? This certainly set the exhibition up to be an interesting one. 

Apple used the gallery space nicely. Three works based around Bruce McLaren faced three Denny Hulme works on the opposite wall, the middle space projecting their race and victory footage from the 60's. I would dare say 'that was about it', but for me what proved incredibly interesting was that the best label for this body of work was 'pop art'. The reason for my interest here lies in the fact that the imagery was actually from 50-odd years ago, yet the art itself was recently created. Billy Apple had here used iconography which would suit the New Zealand pop consciousness decades ago but is now more of a retro image. Because of the connotations of its very name, Pop Art should (in my mind) be of a contemporary concern when it's made. Yet still, the best label I can find for Apple's retrospective art here is still pop - perhaps signifying to some extent an inherent ridiculousness in some elements of Art History and theory - that a work can be described in a certain way purely because we have no way of describing what it really represents. Regardless, it was interesting to see this exhibition using a sporting subject other than rugby as our country started going crazy over this looming, primitive display of masculinity and anti-intellectuality. 

Talking to Billy was an amazing experience, and thanks to my naivety, not what I expected. One thing I must first say is that, having been a contemporary of Andy Warhol's, I'm damn impressed he still turns up to his own shows! He had little to say on the meaning of this particular exhibition - it transpires that to Billy the exhibition is merely a display of his interest in vintage motor sports, a continuation of his famous exhibition which involved painting up a vintage McLaren Formula One car with the technicolor rainbow of past Apple computer logos. In fact, he came across as an artist who is extremely and primarily concerned with the idea of intellectual property and copyright. His use of the vintage McLaren logo was direct bait for the now British-owned company - although no longer in use, they still own the copyright and aren't particularly happy with him. This is another continuation of his pre-existing activities as an artist; back when he was first operating under the pseudonym Billy Apple, he had constant problems with the Apples of Steve Jobs and Paul McCartney. To be honest, I found Apple a bit difficult as a person, but the wonder of chatting to someone with such a legacy is undeniable. Plus, it was cool that he had a bottomless bag of pamphlets to help explain anything we asked him!

Now, to further the sports theme becoming apparent in Dunedin - about a week later I went to the opening of "Art vs. Rugby" at the Blue Oyster Art Project Space. First and foremost - I still maintain that I intensely dislike rugby. Yet the three artists in this combined exhibition create perfectly sound ideas. I'll primarily deal here with my favorite - James Oram's commentary on the media's role in sports in our country.

Oram's work consisted of three elements - a mirror with a mouthguard stuck to it, a slow-motion video of a handshake, and a sportsman's portrait covered by RGB stripes. The latter I found particularly interesting. By masking the player with RGB stripes it was profoundly stating that the people you feel you know through the RGB pixels of your TV are in fact masked by it. They're performers and you don't know them at all, no matter how well you feel they're portrayed and how well you know their game skills. The mirror and mouthguard built on top of this in a way - are players protecting themselves from the mirror of media reflection/representation? Do they guard their mouths and moves carefully enough to have some sense of normality and personality on the other side of the mirror? Lastly, the slow-motion handshake was a sensual, moving and homo-erotic commentary on masculinity. Subverting slow-mo action replays showed the hands each slide over and massage the other oh-so tenderly and lovingly.

Holding the middle ground in my preference was Edith Amituanai’s photography. Featuring two youth facing off across the gallery, her work showed the competitivity implied in the exhibition's name. The backdrop was a typical small-town rugby field and as such she showed the community importance of having a collective past-time such as rugby. Particularly appealing also was that her photography itself was quite beautiful.

Some of the other works were, ideologically, a little depressing to me - Scott Eady's 15 black pillars holding up the gallery roof to suggest that the All Blacks are the pillars of our country, and his photos showing kids dressed up in rugby gear. But having said that, I guess he's speaking a truth. In New Zealand we really are brought up to be rugby heads, even if I wish I could disagree with that. So as frustrating as they may be, these works were really just a commentary on stereotypical New Zealand life.

Having found positives in the ideas of Blue Oyster's "Art vs Rugby", and appreciating Billy Apple's "Retro Art", I still remain critical of the few remaining intellectual spaces in our meat-headed country - that is, art galleries - succumbing to sports-related art. I accept that sport is an important part of our culture for most people - just as art is for me. But when I was in Wellington for a day to chat to gallery owners about a web start-up I'm working on, I even noticed that the lawn next to Civic Square has this huge, hideous (and apparently permanent) metal sculpture of rugby players. Personally, if I was inclined to travel around the world to watch the rugby (or just happened to be in the wrong place at the wrong time), and I went in pursuit of a bit of an intellectual sanity-hunting escape, the very last thing I'd want to find in the safe-haven of an art gallery is work about fucking rugby. Just saying.

David Merritt - Poet And True Role Model

Surrounded by his books, David Merritt sits on the bench by Rob Roy's. Buying us coffee, I sit down for a yarn and proceed to establish this unfortunate-looking man as a true role model, an intellectual who is kind and reasonable.

Merritt's work is astounding - a poet and artist in the traditional sense of both these words. His poetry; I can't help but go back later with a tenner for a few of his pieces. His art; the recycled book covers he uses are sustainably genius, cut and staple-bound with poetry glued in as he works on piece after piece while seated at the bench.

We chat about everything. At 52, Merritt was even active on the web development scene as it boomed in the 1980's. He actually started off as a student newspaper editor and politician in the mid-to-late 70's, but moved to Christchurch where he worked with Flying Nun Records after he "got the sex, drugs and rock n' roll bug". Five or six years later he went on to work as a tour manager for bands including The Herbs. But 'The Herbs were a fucking hard band to look after", and around 1985, after thinking "fuck this, I'm sick of looking after other people's creativity," he moved to Dunedin to do something he'd wanted to do for a long time: "become a Bohemian poet." Here he even did a stint as a guitarist for a noise band; it turns out he'd spent so much time stage-left watching performances that he'd somehow learned to play guitar. But then children started to arrive and his marriage fell through because he "was the wrong sex and the wrong colour all of a sudden".

Nowadays, when not hanging out in Dunedin and other New Zealand centers, he lives a humble and self-stocked country life in the central North Island, "sixty k[m's] from anywhere". He's a 1970's Land Rover enthusiast, too - his collection of 9 (down from 18) is his own kind of super-annuation plan.

Art Week was a small shift for Merritt. Parking one of his vintage Land Rovers in front of the OUSA lawn every day, he made and sold his poetry from a table by the bonnet. I daresay I hope people took notice; his poetry chalking around campus was only a small, but inspirational, taste of what David Merritt has to offer us all.

"You need to do what you like to do," he says. "There's no such thing as a rich poet."

*thanks to Lucy Fulford for the first photo*

Interview with Anna Coddington

Following up from Computers Want Me Dead... I also interviewed Anna Coddington last week! It was cool that both my interviews were with people who've played down here in Dunedin recently...

Where and when do you write music?
I go through phases with it. When I'm in a writing phase I just write all the time. First thing when I get up mostly, then muck around in the studio in the afternoon and evening doing demos and arranging. But I do find first thing in the morning to be the most productive time for song writing, I think because my brain is always foggy and thinking in tangents...

Who would you work with if you were to do an album full of guest stars?
I kind of feel like I've already done that! I consider my band to be stars and they gave me exactly what I wanted for my new album Cat & Bird. They are Ned Ngatae (guitars/co-production), Riki Gooch (drums), Mike Hall (bass), and L A Mitchell (keyboards). Ooh but if Prince offered to produce an album for me I would say yes.

I read that you're also a black belt in karate. Do you find that balance in life is as important for you as everyone makes it out to be?
Yep. I'm pretty sure the same goes for everyone though. I divide most of my time between music and karate (Kyokushin karate), but all musicians and karate people I know have other commitments/interests/hobbies etc. Sometimes I feel like I don't have enough time left between the two, but after 12 years of training I've just come to accept that I'm better off to keep it up. I get funny in the head when I stop training for too long...

Is it important to be a singer-songwriter rather than just a musician?
Ummm... for me it's important to be a songwriter. That's where I get the most personal satisfaction. I love watching a song grow from an idea to a fully formed thing that other people enjoy. And it's fun to be a singer. I've done a few gigs where I just sing (no guitar). I used to think "shit, what do I do with my hands?!" but I enjoy it more now. I reckon that if you haven't written the song, singing and being a musician are the same thing, except your instrument is your voice. If it's not your song you are ultimately just helping the songwriter/producer see out their vision, same as the other musos. I think?! Maybe not for Britney Spears and people like that. Oh I don't know!...

What are your top 5 favorite foods?
Avocado, tofu, pineapple, smoothies, and coffee (technically not a food, but it's essential).

And top 5 favorite musicians/bands?
Ask me tomorrow and you'll get a different answer but for today I'll say: Michael Jackson, Billy Bragg, Band of Horses, Radiohead, and Julia Deans (who I am touring with through April/May!)
What are your pet peeves?
Burning my toast. My crappy phone. People who do not indicate!
Do you have specific hopes for your future?
Releasing the new record overseas and touring more and a few other music projects that are underway... just playing more music really.

As one of the top popular musicians in New Zealand, are you proud of what you've achieved?
Yes I am. People always ask me if I have another job- I don't. And that in itself is a good gauge for me. I feel lucky about that. And I'm very proud of Cat & Bird. It sounds how I wanted it to sound.

What's the coolest small New Zealand town and why?
Raglan! Because it's my home town. We recently did an awesome gig in Port Chalmers, just out of Dunedin, and that was pretty cool. I also love Wanaka. It's beeyoootiful.

How many roads must a man walk down before you can call him a man?
It is not the number of roads, but the journey that maketh the man... Something like that.

Wow I love my job!

Interview With Sam and Damien from Computers Want Me Dead

Heya! Here's my Tearaway interview from last week with Computers Want Me Dead. Fun guys, awesome music.

Sam picked up his cell phone almost immediately. He fetched Damien, closed the door to their Auckland office, and put me on speakerphone. This retro/indie/synth/pop duo who originally performed together at a friend's apartment- formerly a gay brothel- on K' Road in Auckland, are very modest about their music and success. Currently in the process of planning a world tour to Australia, New York and Japan in October, they've found that the key requirements for forming a band are like-minded individuals, patience, and similar ambition, although "you don't need quite as much skill, as everything is all computerized now."

With their first album coming out this year, the guys like to pretend they're not famous. Or, at least if their music is, not them personally. "We're relatively anonymous," Damien points out, "we're not featured heavily in our videos. We have friends in bigger New Zealand bands with much bigger attention. It's actually quite cool being able to walk down the street and not have that attention."

That's all well and good, but what's striking is that these guys are incredibly talented. Sam has designed the album cover and he also directed their first video. And with their EP cover comprising geometric shapes and a simple Computers Want Me Dead title, they joke that the ideal album cover is "simple but complex" (get your mind around that one!). Their films are about the "idea, not the budget. So they're quirky and out-there." The first video- a Youtube hit- is about a guy traveling back in time to visit his girlfriend, where the time machine is made out of crystals. The next one, however, was produced by Liam Barclay based on his interpretation of their lyrics. "Entertainment is important. It was cool how Liam interpreted the lyrics without being cheesy." On the idea of creating an image, they find that "a big part of it is attitude. We're not really into creating an image as such but we're addressing it more and more. By making a multi-media live show we're re-thinking things visually. But also, everything's about marketing these days and where people are looking."

It was April Fool's day when we had the conversation, so as for their best pranks? Earlier in the day, Damien had sent his girlfriend a link to a website for 2 hour dolphin rides. "She was really nervous about being in the open ocean with this dolphin. But she had told everyone in the office before calling (me about it) so she was really gutted (it was a prank)." As for Sam, when he was six his family had a boarder staying who was always fighting with them. So after one particularly bad evening, "I left something for him on his toothbrush. He left the next day."

Their main pet peeve is the same as any musician- instrumental gear breaking- but also people who can't take a joke. "We like people with a sense of humour and who don't have to be so serious all the time."
And on the subject of pet peeves- someone who's annoying everyone without fail at the moment gets an interesting rap. "I'm not into (Rebecca Black) myself. The case of point being that anyone can make a song and music and voila. There's always gonna be a market for what you're into. But she didn't have to do anything with her music and video. She just mouthed words. Good on her because she's doing what she loves just as any 13 year old girl would, but to be honest the music video is famous because it's so bad. I don't hate her but I hate the song. It puts a smile on my face just talking about it- it's entertaining for all the wrong reasons."

Thank goodness Computers Want Me Dead are entertaining for all the right reasons. 

And a few more random questions...

How many times have you been asked what your name means?
-Every singe interviewer has asked what our name means. We made an effort to have a unique name, it was catchy because of that and it's why we get asked our name so much.

Who's the coolest New Zealander you've ever met and/or want to meet?
S- Jordan Lake. Is there anything he can’t do?
D- John Campbell. I've met him serval times and he's the loveliest, coolest guy.

What's the coolest small town in New Zealand and why?
-We were really stoked playing in dunedin. Everyone down there is so ennthusiastic about gigs. Unless you go to McDonald's and get punched to death (this happened to them).
[this interviewer comments that he lives there]
Didn’t know you were down there...$5000 in your bank account.
Hamilton is also pretty rad, but I guess neither of those are small towns as such...

What do you guys make of the whole "Indie" ideal that's happening at the moment?
-"Indie is so broad and misconstruited and misinterpreted. We have a Pop element and Indie element. Basically, an underground thing becomes mainstream. It's not a fad- it's always been there. An independent thing becomes well known, something good becomes fashionable.

Buy the album people!!!


Love


xxx